(dramatic music playing)
I've worked with our production designer, Stephen Lineweaver, for a number of years.
What I liked about what he did with this set
is that he doesn't come out of a science-fiction background.
(chuckles) This is his first spaceship, and a lot of times
you find familiar tropes from great designers--
but designers who are kind of used to working one way--
and some of the stuff we saw was very dark, it was very dystopian,
and that's kind of all we're seeing nowadays in the genre.
I missed the spaceship that you want to be on,
a place that is clean and comfortable,
and looks like a world that you would want to live in,
and this set, to me, is very aspirational.
This is definitely the--
the version of the future that you would want to have happen.
(theme music playing)
'